Handel and His World
August 2 – 6, 2010
Lectures by John Prescott
Daily classes August 2-6 from 9:30 am - 12:00 noon
$85/($80 SFEMS members) for the full course; $20 per day
Crowden Center for Music in the Community
1475 Rose Street (at Sacramento), Berkeley, CA 94702
The course
Music historian John Prescott will present a second season of morning
classes for adults August 2-6 in Berkeley at the Crowden Center for Music
in the Community. This interactive course is intended for curious adults
who want to broaden their musical horizons and deepen their listening
pleasure. In response to enthusiastic comments from last year,
classes will be a half hour longer to allow for more in-depth listening
and discussion. A companion CD of some of the music will be included
in the registration fee. The theme this year will be the music of one of
the most prolific and influential of Baroque composers: G. F. Handel.
Following are John Prescott's comments on the subject matter of the course.
Handel spent his formative years in the cosmopolitan German city of
Hamburg and also toured the city states of Italy. We will sample the
musical creations of Handel's youthful period as he absorbed and refined
the musical language of the time.
When Handel arrived in England, he brought with him his musical
experience from Italy and helped create the heyday of Italian opera
in London. We will revel in Handel's Italian operas, with which he
delighted the English public for over two decades.
From keyboard suites to organ concerti, from Water Music to chamber music,
Handel had the same mastery of instrumental music as he did of music
for voices. The class will explore Handel's role as both composer
and performer of instrumental music.
Handel is most widely remembered in music history for his development
of a new form, the English oratorio. We will trace the roots of the
oratorio to Italian opera, English choral tradition, French drama
and the German Passion.
Lastly, we will look at Handel's place in music history.
We will discuss changing performance practice of Handel's
music across the past two and a half centuries, explore how
perceptions of Handel have changed and look at the considerable
influence Handel had on later music.
We will also explore the social, cultural, political and religious
contexts in which Handel created his music. Each day will include
time for guided detailed listening. Discussions will touch on the
aspects of form, harmony, rhythm, text setting and orchestration
that give Handel's music its unique character.
The ability to read music is not necessary for this class.
Come with open ears and an open mind and fall in love with Handel
all over again.
Registration is available for the full course ($85/80 SFEMS members)
or for individual days ($20 each).
For more detail about the daily schedule, see the
flier.
To register, please download, print and fill out the
registration form.
Questions? Contact Britt Ascher at brittascher@comcast.net or
(925) 283-7134.
This course supports the Music Discovery Workshop,
a day camp that introduces children to early music and
Renaissance social history through music instruction and theater projects.
About the instructor
JOHN PRESCOTT received his BA Magna cum Laude in music from Carlton
College (and was
elected to Phi Beta Kappa) and his MA in music from U.C. Berkeley.
He has been the recipient of a
number of academic honors, including the British Marshall Scholarship for
two years of study at St.
John's College in Cambridge, England. He also studied at Oxford University's
Worcester College.
Mr. Prescott has written extensively on the music of G.F. Handel and is
completing his doctoral
thesis on John Stanley, the 18th-century blind organist, conductor, violinist and
impresario.
Mr. Prescott has taught music courses at U.C. Berkeley and music theory at the
Crowden Center for Music
in the Community (Berkeley, CA) and is currently the musicologist for the
San Francisco
Elderhostel Arts and Humanities Program. He is also the resident preconcert
lecturer for
Philharmonia Baroque Orchestra.
Last updated 04/04/2010.
San Francisco Early Music Society, P.O. Box 27495, San Francisco, CA 94127-0495 ·
510-528-1725 ·
sfems@sfems.org
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